Art in NYC: Hans Haacke at the New Museum

Hans Haacke: All Connected, an exhibition of artworks from the 1960s to the present is on view at the New Museum until January 26, 2020

Hans Haacke, Gift Horse, 2014. Commissioned by the Mayor of London’s Fourth Plinth Program. © Hans Haacke / Artists Rights Society (ARS), New York. Courtesy the artist and Paula Cooper Gallery, New York. Photo: Gautier Deblonde

A retrospective of works by conceptual artist Hans Haacke at the New Museum is the first major survey of the artist’s works in 30 years. It presents the artist’s oeuvre from the 1960s to the present.

Renown in the art world for his interest in the systems, from mechanical to environmental to social, Haacke’s explorations in the field of investigative art made a splashy headlines in 1971 when his exhibition at the Guggenheim Museum was canceled because it included Shapolsky et al Manhattan Real Estate Holdings, a Real-Time Social System which probed the real estate dealings of the landlords of Manhattan’s slums. This time Shapolsky et al is on view at the New Museum.

The exhibition also includes Haacke’s kinetic and mechanical art which was created at the start of his career in Germany in the early 1960s. It progresses throughout the years to the recent Make Mar-a-Lago Great Again arrangement from 2019.

Spread over the four floors and the lobby, there are loaded installations that cover such topics as the troubled corporate sponsorship of the arts, the duplicity of business culture, and the societal biases in how the public values and appreciates the art. Haacke’s famous entry for the Fourth Plinth project was Gift Horse, 2014. Conceived in 1998, the project selects artwork for a temporary exhibition on the unoccupied corner on the Trafalgar Square in London. A tribute to Scottish economist Adam Smith, the bronze skeleton of the thoroughbred with the electronic ribbon which displayed the ticker feed from the London Stock exchange (for the exhibit at the New Museum it displays a feed from the New York Stock exchange) was commissioned by the Mayor of London to stand alongside the permanent sculptures of King George IV and the two generals Henry Havelock and Charles James Napier.

The exhibition is a strong reminder about the societal disharmonies of the past and current times. Stroll through the galleries, ponder over the peculiar physics of wave formation or condensation process which are the subjects of Haacke’s early period, participate in the museum visiter’s survey as a participatory piece of art, and get deep into an uneasy relationship between the business and the art.

Hans Haacke: All Connected exhibit is on view at the New Museum from October 24, 2019 – January 26, 2020.

Stay in the know about future events and offers by subscribing to ARTS-NY newsletter Subscribe

A solo museum presentation of the surrealist videos and wall installations by a contemporary artist Mika Rottenberg. The exhibition features a world premiere of Spaghetti Blockchain (2019), NoNoseKnows (2015), and other artworks; on view from June 25 – Sept. 15, 2019

Tuvan throat singer from Spaghetti Blockchain, 2019 video — Spaghetti Blockchain, 2019, Single-channel video installation, sound, color; Produced by Museum of Contemporary Art Toronto; Arts at CERN, Geneva, with the support of the Permanent Mission of the United States to the United Nations, Geneva; Sprengel Museum, Hannover, with the support of Niedersächsische Sparkassenstiftung; and New Museum, New York. Courtesy the artist and Hauser & Wirth

Opened in 1977, the New Museum is fully dedicated to exhibiting the works of contemporary art by the living artists. This summer its exhibition galleries are featuring a diverse sample of art coming from various parts of the world. One of the museum’s floors shows videos and wall installations by New York-based, Argentinian-Israeli artist Mika Rottenberg entitle Easypieces.

Taking its title from the Six Easy Pieces, a book by theoretical physicist Richard Feynman, the art on view goes from simple observation of repetitive tasks and bizarre mechanical imitations of innocuous movements to video installations that chain together distant geographical places, exotic sounds, and a visual manifestation of a physiological reaction. In her latest work under a catchy name Spaghetti Blockchain (2019), Rottenberg easily mixes Tuvan throat singing from Siberia with the visuals from the CERN Anti-matter Lab, and the process of potato-farming in Maine. Its a kaleidoscope of forms, colors, and sounds employed in an impossible attempt to explain and control the uncontrollable.

Mika Rottenberg, Finger, 2018. Artificial finger and mechanical system. Courtesy the artist and Hauser & Wirth

Her earlier work NoNoseKnows, which premiered at the Venice Biennale in 2015 takes the viewers to a slave-labor-like factory in China where freshwater pearls are manufactured by infecting the life oysters with an irritant. The frames of the arduous work done by women are mixed with the close observation of sneezing from an allergic reaction to a pollutant. Its grotesque and repulsive while at the same time extremely depressing. Yet the process goes on, and on, and on, – exaggerating the absurdity of the modern globalized manufacturing practices.

Come with an open mind and a guest for curiosity.

Stay in the know about future events and offers by subscribing to ARTS-NY newsletter Subscribe

Tag: New Museum