Art in NYC: Gerhard Richter Painting After All at the MetMuseum

Art in NYC: Gerhard Richter Painting After All at the MetMuseum

While MetMuseum has temporarily closed, you can visit it online from anywhere

Presenting a major exhibition of works by German artist Gerhard Richter titled “Painting After All”, the exhibit spans the entire artist’s career 

Gerhard Richter, S. with Child, 1995, Oil on canvas
Gerhard Richter, S. with Child, 1995, Oil on canvas, Hamburger Kunsthalle,© Gerhard Richter 2019 / Image courtesy of The MetMuseum

Recognized as one of the greatest artists of our time, Gerhard Richter succeeds in combining the detailed pictorial approach with the haze caused by the fog of time. His celebrated blurred figurative paintings, large scale abstract compositions, and monumental glass sculptures are the treasures of the art museums all around the world. Originally scheduled to be on view at the Met Breuer from March 4 – July 5, 2020, the exhibition includes a range of artworks from the artist’s early experiments with the pictorial depictions based on the old photographs, the glass sculptures, and the most recent cycle House of Cards (5 Panes) (2020). Some of the works will be more familiar to the art lovers, while others like the cycles Cage (2009) and Birkenau (2014) are shown in the United States for the first time.

Well known for his effort to reconcile through art the historical past with personal memories, Richter is uniquely qualified to remind the viewers about the horror of war, the danger of manipulation through the isolated messages or images taken out of context, and the inconsistencies in the recollection of the past events. To accentuate the point of a fleeting chance of memory, his technique of smudging the clear image reminds us of the distortion brought on by the time.

Gerhard Richter (German, b. 1932, Dresden) Cage 4, 2006 Oil on canvas
Gerhard Richter, Cage 4, 2006, Oil on canvas, Tate: Lent from a private collection 2007,© Gerhard Richter 2019 / Image courtesy of the MetMuseum

The technique can be seen as a way to represent the perspective of time similar to the perspective of distance and space. It creates the fourth dimension (time) for otherwise ordinary snapshots. As the objects positioned far away are depicted proportionally smaller and with less visible details, the memories about the events from the past are covered in haze and come out with blurred outlines. One can still see the object, yet as years go by, the exact image loses its significance and is replaced by the vague outline.

Explore the show online by taking a virtual tour.

Virtual Tour

The exhibition at the Met Breuer is the first major expose of Richter’s art in the US in 20 years.

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Art in NYC: Dutch Masterpieces at The Met

Art in NYC: Dutch Masterpieces at The Met

While the Metropolitan Museum of Art has temporarily closed, you can visit it online from anywhere

A magnificent exhibition of works by the 17th-century Dutch masters titled “In Praise of Painting” can be viewed online 

Aristotle with a Bust of Homer by Rembrandt at the Metropolitan Museum of Art in New York
Rembrandt (Rembrandt van Rijn), Aristotle with a Bust of Homer, 1653. The Metropolitan Museum of Art, New York

The Met Museum collection of Dutch paintings is highly praised by scholars and extremely popular with the visitors. The “In Praise of Painting ” exhibition, dedicated to the 150th anniversary of the Met Museum founding, uses the occasion to showcase the treasures by Rembrandt, Vermeer, and others thematically and to highlight various aspects of the 17th-century Dutch society in all its complexity. The selection comes from the Benjamin Altman’s bequest, the Robert Lehman collection, and the Jack and Belle Linsky Collection. Thoughtfully organized by the curators around nine themes from portraiture to landscape and domestic scenes, the exhibition unites prominent works and allows for striking comparisons and keen amplification of the historical details.

The viewers are invited in for a closer look at people, their homes, land and the pastime when the Netherland was experiencing rapid changes brought in by the technological advancements and economic growth after the end of the Thirty Years war. The works by Rembrandt, Vermeer, Hals, Steen and the rest of their famous contemporaries bring us closer to people living in the distant fast-changing times not that much dissimilar to our own. Societal mores, etiquette and hierarchy were turning in response to industrial progress and diversification at the time of the Dutch Golden Age. Luckily for us, it gave the world great artworks of unprecedented depth and potency. Savor the art in all its greatness.

In Praise of Painting: Dutch Masterpieces can be explored by taking an online visit.    Online Visit

 

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Theater in NYC: Lambs for Slaughter by Russian Arts & Theater Studio

Theater in NYC: Lambs for Slaughter by Russian Arts & Theater Studio

Russian Arts & Theater Studio has suspended the performances from March 10, 2020

Russian Arts & Theater Studio presents new play Lambs for Slaughter on March 1 – March 21, 2020 at Pushkin Hall in New York City

Russian Arts & Theater Studio cast in a scene from Lambs for Slaughter
Russian Arts & Theater Studio cast in a scene from Lambs for Slaughter / Photo credit Tom Schubert

Aleksey Burago is never tired of expending the repertoire of Russian Arts and Theater Studio. After mounting a dynamic interpretation of Marquez’s The Rise and Fall of Macondo (One Hundred Years of Solitude), he turns to the short stories by Roald Dahl. Dahl, universally known as the author of the beloved children’s books “Charlie and the Chocolate Factory,” “Matilda,” and “James and the Giant Peach,” also wrote grotesque stories for adults. Four of his stories, The Man From The South, The Landlady, Mrs. Bixby And The Colonel’s Coat and The Great Switcheroo are adapted for the stage by the playwright Fred Pezzulli. Commonplace character shortcomings from deception to greed make for an eccentric and captivating theatrical spectacle.

Barring the stubborn desire to outsmart others, there are no lambs and no one gets slaughtered on stage. The vignettes, widely diverse in time and place, are connected mainly by satirizing crass arrogance.

The show starts with the high suspense of “The Man From The South”. A banal encounter leads to a ridiculous bet which ends up in a bizarre finale. The segment owes to the great stage presence by Christofer Zach (Carlos) who sets the bar for the artistic aptitude. Di Zhu, well-known to the audience for her successful prior roles with the theater most notably in Bunin/Berberova play, shines as Mrs. Bixby in “Mrs. Bixby and the Colonel’s Coat”. Two powerful actors, Paulo Quiros and Riccardo Ripani play one against the other with gusto and dynamism in “The Great Switcheroo”.

Burago’s creative addition of the sound-making crew to the stage, inventive use of props, and the soundtrack full of familiar melodies from the past fit organically into the storylines. Instructive and funny, each situation progresses from innocuous to risky to rout. With a little more zest and at least one more story in the sequence, the play could reach enough potency and rigor.

Lambs for Slaughter

Russian Arts & Theater Studio cast in a scene from Lambs for Slaughter
Russian Arts & Theater Studio cast in a scene from Lambs for Slaughter / Photo credit Tom Schubert

Based on the short stories by Roald Dahl

Directed by Aleksey Burago

Adapted for the stage by Fred Pezzulli

Featuring: Luisa Menzen, Paulo Quiros, Riccardo Ripani, Christopher Zach, and Di Zhu

 

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Dates: February 29 – March 21, 2020

Venue: Pushkin Hall, 165 W 86th St, New York, NY 10024

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Music in NYC: Eliran Avni, piano and Natasha Farny, cello in GetClassical Recital

Music in NYC: Eliran Avni, Piano and Natasha Farny, Cello in GetClassical Recital

The concert on March 17 is cancelled 

GetClassical Salon Series presents Ekstasis Duo, Eliran Avni, piano and Natasha Farny, cello in a program Women’s Voices, music by female composers on Tuesday, March 17, 2020 at 7 pm at St. John’s in the Village Church in New York City. 

Ekstasis Duo: Elian Avni, piano, Natasha Farny, cello
Ekstasis Duo: Elian Avni, piano, Natasha Farny, cello / Photo credit Nir Arieli, Lori Deemer

In celebration of Women’s Month, GetClassical and Ekstasis Duo present Women’s Voices, a program of music that was written by female composers. Positioned in loose chronological order, the program starts with the mid-19th century works by Louise Farrenc and Clara Schumann which are followed by the contemporary classical scores by Judith Taafe Zwilich and Lera Auerbach. A jazzy arrangement for piano and cello by Kaufman as an hommage to Nina Simone tops the night.

A recently formed Ekstasis Duo of musicians, Eliran Avny, piano, and Natasha Farny, cello combine their passion and dexterity for this exciting music night at the Revelation Gallery at St. John’s in the Village Church in New York City. Graduates of the Julliard School of Music, Avni and Farny artistic partnership brings the lesser-known music and the masterpieces to the wider public. The program at the GetClassical recital on March 17, 2020 successfully underscores this mission.

Women’s Voices Program 

Louise Farrenc (1804-1875) – Sonata in B-flat Major, op. 46, I. Allegro moderato
Clara Schumann (1819-1896) – Three Romances, op. 22
Lera Auerbach (1973 – ) – Preludes (1999)
Judith Taafe Zwilich (1939 – ) – Lament (2000)
Ethel Smyth (1858-1944) – Sonata in A minor, op. 5
Hommage à Nina Simone arr. D. Kaufman

 

Enjoy an inspiring concert and get up close with the musicians in a warm and comfortable salon-style seating arrangement at the gallery.

 

Online prices: $25; At the door prices: $35 (cash only)           BUY TICKETS

 

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Music in NYC: French Impressions Program of Debussy and Chausson at Aspect Chamber Music Concert

Music in NYC: French Impressions Program of Debussy and Chausson at Aspect Chamber Music Concert

Aspect Chamber Music presents French Impressions concert with Calidore String Quartet, violinist Grace Park, and pianist Gilles Vonsattel on Thursday, February 27, 2020 at 7:30 pm at Bohemian National Hall 

Impression, Sunrise, Claude Monet, 1872; Pianist Gilles Vonsattel; Claude Debussy; Violinist Grace Park
Impression, Sunrise, Claude Monet, 1872; Pianist Gilles Vonsattel; Claude Debussy, atelier Nadar; Violinist Grace Park

The program explores the influence of French Impressionism and the interplay between visual art and music. Giving us the world full of tender emotions and breathtaking novelty of expression, the insurgent painters of the period such as Claude Monet and his circle of friends rebelled against the norms of the day in every form of artistic expression from art to writing to music. Unconventional in its methods and resulting artworks,  impressionism was a dirty word of that time.

When Debussy started incorporating in his scores unconventional scales and dissonant chords he was labeled by the critics as the proponent of “impressionism, the most dangerous enemy of artistic truth.” However, the composer himself adhered more to symbolism. Regardless of the classification, Debussy’s innovative scores immensely enriched the language of music and encouraged others like his friend E. Chausson to experiment with the sound and form.

The program features performances of Chausson’s Concerto for Violin, Piano and String Quartet, Op. 21 and Debussy’s Violin Sonata in G minor.

Program

Chausson, Concerto for Violin, Piano and String Quartet, Op. 21

Debussy,  Violin Sonata in G minor

 

Illustrated talk by Samuel Adams

Get tickets at 33% off with code ARTSNY23 at checkout when attending the Aspect Chamber Music Series for the first time. 

BUY TICKETS at 33% off with ARTSNY23 code

 

Treat yourself for an evening of exceptional music played by the amazing young musicians.

 

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