Love, idealism, and ruse in a thrilling drama by Giacomo Puccini
Bring the Metropolitan Opera’s magnificent experience to your home by streaming the historic December 1978 performance with Luciano Pavarotti; watch from anywhere on Thursday, June 4, 2020
Sonya Yoncheva as Tosca and Željko Lučić as Scarpia / Photo: Ken Howard / Metropolitan Opera
MetOpera offers the archival recording of Puccini’s masterpiece with the star-studded cast delivering a passionate tale. This memorable performance features riveting soprano Shirley Merrett in the title role, tenor Luciano Pavarotti as her lover Cavaradossi, and baritone Cornell MacNeil as Scarpia. The opera was recorded on December 19, 1978.
From its premiere in the early 1900s, Puccini’s Tosca has triumphantly entered the repertoire of every opera house. Eagerly anticipated by the fans, the opera is a highlight of the MetOpera season.
The most recent production of Puccini’s Tosca by Sir David McVicar at the Met Opera, which has staged in the 2017-2018 season, offered a grand theatrical experience for the opera fans. The set and costume design for this production was done by John Macfarlane, who as a painter added to the depth of the characters through the rich design of the decorations and the period costumes. McVicar’s production which a review by AP describes as “similar to Zeffirelli’s”. It replaced a spare modern staging of Tosca by Luc Bondy which was not warmly received by the Met opera buffs.
360° View of the Sistine Chapel in Vatican City in the time of social distancing
Sistine Chapel, Vatican / photo by Patrick Landy (FSU Guy)
One of the most popular sites of the Musei Vaticani complex, the Sistine Chapel stuns its visitors with Michelangelo’s frescoes and stories of the sacred rituals, such as Papal Conclave of the Cardinals conducted within its walls from 1492. Completely restored in the years from 1979 to 1999 to its original vibrant colors, the Chapel was visited daily by more than 20,00 people. Pope John Paul II said about the chapel that “The truth of our faith speaks to us here from all sides”.
As humanity stays at home in the face of the global coronavirus pandemic, it is particularly uplifting to revisit albeit virtually the historic places that withstood prior global disasters like plague epidemics and the wars. The Musei Vaticani offers a virtual tour of the Sistine Chapel with closeups of frescoes and an unobstructed view of the room without any distraction by the guards or the unavoidable neck craning to see the ceiling.
The Sistine Chapel in the Vatican was built in 1477-1480 by Pope Sixtus IV for whom the chapel is named. In fact, the old Cappella Magna that stood on that site from the mid-14th century was restored by the best artists of that time like Sandro Botticelli, Pietro Perugino, Pinturicchio, Domenico Ghirlandaio, and Cosimo Rosselli. From that time until this day the Chapel is used for special ceremonies of the close circle of the Pope and as a place where the Papal Conclave of Cardinals meets to elect a new Pope.
Interestingly, the dimensions of the Chapel are the same as the Temple of Solomon according to the description in the Old Testament, the Book of Ezekiel. The Temple of Solomon was the first temple built by the Hebrews in 832 BCE under King Solomon. It was destructed by Nebuchadnezzar IIafter the Siege of Jerusalem of 587 BCE.
Michelangelo spent from 1508 through 1512 on painting the ceiling of the Chapel on the commission by Pope Julius II. Because at the time Michelangelo was preoccupied with sculptures and was reluctant to commit to such an enormous undertaking, Pope Julius granted him full freedom in selecting the scenes and figures to paint thus convincing him to take on the project. The resulting frescoes are considered to be the triumph of the artistic expression in Western civilization. The ceiling is populated with more than 300 figures starting from Christ’s ancestors including Adam and Eve, the scenes from the Garden of Eden and the Great Flood all the way to Christ’s followers, prophets, and sibyls.
Michelangelo’s mastery brings us the “faces of our time: anxiety masked by domesticity, women at work at household duties, men staring out blankly at an opaque fate” in the words of A.Gopnik in The New Yorker review of the exhibit of the photographs of the frescoes at the Oculus in New York City.
Do your best imagining yourself walking through the grand doors of the Chapel by taking the virtual tour. And while it’s definitely not the same as being surrounded by the great art at the place for which it was created, you can still connect with history and art. Their meaning may even become more apparent and better understood.
The Metropolitan Opera production of Verdi’s masterpiece about a court jester Rigoletto
Stream from anywhere on Saturday, May 16, 2020
A scene from Rigoletto by Verdi at the Metropolitan Opera; photo by Marty Sohl
Rigoletto in Las-Vegas? Verdi’s extremely popular opera set to a powerful play by Victor Hugo seems to be destined for any epoch and impervious to the time and place transformations. With an ever-relevant fable and beloved arias widely familiar to opera fans and recognizable to those new to the genre, this opera is a time-tested favorite of every opera house.
Shifted to Las Vegas in the 1960s, Michael Mayer’s 2013 production of Rigoletto gets a modern look while telling the same centuries-old story of corruption, evil, and love. While the power of the old man curse put at the center of the tale seems less believable in the 20th century, the dirty intrigues and the ruthlessness of the lonely figures doing shady business look rather plausible.
For the free streaming on Saturday, May 16, 2020, Met Opera selected the production performance on February 16, 2013 with Zeljko Lucic as Rigoletto, Diana Damrau as Gilda, Piotr Beczala as Duke; Michele Mariotti conducts.
Monumental Met Opera production of a timeless masterpiece by Verdi with the incomparable Leontyne Price in the title role and historic star-studded cast recorded in 1985
Stream from home on May 1, 2020
A scene from Verdi’s Aida at MetOpera; Photo: Marty Sohl / Met Opera
Verdi’s Aida, the ultimate Grand Opera, is a highlight of every opera season. The grandeur of the music calls for an equally magnificent cast.
The live recording of Aida in January of 1985 was Price’s farewell to the opera world which, brought historic significance to the event. The role of Amneris was performed by Fiorenza Cossotto with James McCracken as Radames and James Levine conducting.
The stage design recreates the pompous style of the Old Kingdom architecture in all its sumptuousness. The production director matched the decor with hundreds of performers including four horses, two brass choirs, ballet dancers, and supernumeraries trooping the stage. It all aims to convey the might and power of Egypt’s Pharaoh. And it surely fulfills the intent. That state omnipotence is skillfully contrasted against the lonely and touching scenes of soul-searching, love, and despair. This is the theater in all its might with its tricks finely brought together for the joy of the opera fans.
You can stream Aida from home on May 1, 2020. STREAM NOW
Verdi’s final opera Falstaff fills the house with magnificent ensemble singing. Bring the Metropolitan Opera’s magnificent experience to your home via streaming
The review and the cast is based on the 2019 performances
Ailyn Pérez as Alice and Ambrogio Maestri in the title role of Verdi’s “Falstaff.” Photo: Karen Almond / Met Opera
Robert Carsen’s vibrant and colorful 2013 production of Verdi’s Falstaff brings together a powerful ensemble of opera stars with Ambrogio Maestri, baritone, in the title role, Ailyn Perez, soprano as Alice Ford, and Golda Schultz, soprano as Alice’s daughter Nannetta. Carsen’s clever shift from Shakespearean time to the mid-20th century expresses complex themes of renewal, gender equality, fidelity, and trust while telling an enlightening and joyful story full of lighthearted jokes, fateful misunderstandings, and a happy ending.
Falstaff, the last of Verdi’s operas, was based on Shakespeare’s comedy The Merry Wives of Windsor. The majestic music by the Italian master combined with a witty storyline in the libretto written by Arrigo Boito, an opera composer in his own right, makes for a triumphant career finale for Verdi. In this season’s MetOpera production, Maestri’s confidence and gusto in the portrayal of a fateful Falstaff fit perfectly with the rest of the powerful cast. Brightly colored stage design and vivid costumes add hilarity and buoyancy to the plot. The free-flowing ensemble singing creates a production that is a lively fete for the actors and a delight for opera lovers.
