Ballet in HD: Matthew Bourne’s Swan Lake

Tchaikovsky’s celebrated music combined with the reimagined dark fairy-tale in the powerful performance by Matthew Bourne’s New Adventures company; stream from anywhere 

Director Matthew Bourne’s reimagined centuries-old fairy-tale set to the timeless music by Tchaikovsky dazzles, entertains, and shocks with the audience eagerly responding to each cue extended by the dancers. Created for the New Adventure company in 1995, Bourne’s libretto combines recognizable classical themes with not so subtle references to the public obsession with Windsor royals and the old-society members’ struggle with finding their place in the modern life. From the vantage point of 2020 viewer, the story turns from an entertaining account into a complex psychological drama of mother/son relations, suppressed self-realization, and the burden of traditions.

However, there is an interesting twist to the narrative. The original tale put to music by Tchaikovsky and Swan Lake ballet’s first choreographer J. Reisigner believed to reference the life of Bavarian King Ludwig II. When visiting Schwansee in his childhood, Ludwig II was preoccupied with the swans, was emotionally weak and deemed insane later in life. He was renowned for building bigger than life castles such as Neuschwanstein. It is conceivable that King’s life inspired Prince Siegfried’s character in Swan Lake. Watching Bourne’s interpretation, it is easy to find several parallels to Ludwig’s story in the libretto.

The production is universally known for its replacement of the gentle and tense female swan ensemble with the muscular, forceful, and vindictive flock of all-male dancers. Accentuated by the strong wings and loud hissing sound, their power and domination over feeble and thickly prince is in full swing in Act II and III. Yet, with all their wild freedom, even the swans are unable to accept and accommodate the outsider in their ranks. It’s a grim reminder of the stronghold of prejudice and a drive to preserve the homogeny.

The ballet has everything from puns and jokes to the touching despair and frightening indifference of those around us. For this run, the production was skillfully updated with a rather streamlined soundtrack in place of the live orchestra among other changes. Recognized as the longest-running dance show, the plot still has its potency and bitterness. The cast delivers its lines with the grace and power expected from the renown company.

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Matthew Bourne’s powerful interpretation of Tchaikovsky’s masterpiece premiered in 1995 at Sadler’s Wells and earned more than thirty international accolades, including three Tony Awards (following its 1998 Broadway run) and an Olivier Award. Perhaps still best known for replacing the female corps‐de‐ballet with a menacing male swan ensemble, this production shattered convention and turned tradition upside down. Retaining the iconic elements of the original production loved by millions around the world, Bourne and award‐winning designers Lez Brotherston (scenery and costumes) and Paule Constable (lighting) have created an exciting re‐ imagining of the classic New Adventures production.

The role of The Swan is performed by Richard Winsor, Dominic North is The Prince. The cast also includes Nina Goldman as The Queen, Steve Kirkham as The Press Secretary, Madelaine Brennan as The Girlfriend, Joseph Vaughan as The Young Prince.

 

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